4/28/08 08:26 am - RCM: Sneakpeek
Seeing as I haven't posted anything here for a while, and
River City Mechanical debuts in 2 days, I thought I might give you guys a peek into a part of my process that I think is interesting.
In Photoshop*, you work in layers. My work always has 9 layers in it before it gets flattened and saved in *JPG format, in this stack order:
--Boxes & Title
--Text
--Speech Balloons
--Inks
--FG Colors
--Textures
--BG Colors
--Dark Matte
--White Matte
The reason for the "Dark Matte" layer is because almost half of Gui's model sheet is a very light color, so close to white that if I'm coloring him against a white background, I can barely see what I'm doing. So, to avoid having to go back and touch up the light bits, I put a dark color behind him (*under* the layer I'm coloring on), which makes the white pop out, like so:

The opposite is true for darker colors; when I'm painting with those, I turn off the dark matte and voila! Sharper colors, cleaner painting, and overall better work.
See you soon, kids.
*I do all of my work in Photoshop, except for the inking, which I do in Corel Painter using the Scratchboard tool.